have gone, and I have no idea whether it will be coming back. There are
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He knows that many critics and academics will take issue with his complete dismissal of historical consciousness and sociopolitical context: “The freedom to apprehend aesthetic value may rise from class conflict, but the value is not identical with the freedom,” he says. “There is always guilt in achieved individuality; it is a version of the guilt of being a survivor and is not productive of aesthetic value.” In these passages, Bloom’s arguments against the legacy of late-twentieth-century literary study are the most lucid they would ever be:
穿梭在AWE 2026的展馆里，最直观的感受并非技术的堆砌，而是一种强烈的“真实感”。未来，不再是一个遥远的时间概念，而是一个正在发生的空间现实。