陆逸轩：应该是。我对那种浅表、外放、充满夸张表达的演奏并不感兴趣，我不喜欢音乐中的夸张。真正有力量的东西，往往来自更深层的地方。音乐中的强烈情绪不该是持续不断的，它只有在某些时刻出现，才会真正有意义，而这些时刻需要铺垫，需要不同情绪之间的关系和发展。音乐本身是非常具体的，很难用泛泛而谈的方式去描述诠释。我也一直觉得，我们不能用概括的语言来谈音乐。
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Гангстер одним ударом расправился с туристом в Таиланде и попал на видео18:08
But not everyone agrees that humans have the upper hand when it comes to judgement or taste. Matt Schumer, the co-founder and CEO of OthersideAI, wrote in his viral essay on the future of AI earlier this month that OpenAI’s GPT-5.3 Codex model felt, at least to him, capable of “something that felt, for the first time, like judgment. Like taste”
The topic of always-online live-service games shutting down and ultimately becoming unplayable has been a popular topic of internet discourse for many years. Through my work on Towerborne I've seen first-hand just how challenging and time-consuming it can be to make a game originally designed like this work offline. Every game has its own unique challenges in both design and technical architecture, making offlining a uniquely complex undertaking that is hard to understand for many of its players. However, the Native AOT approach we leveraged shows that it is possible and I hope other developers finding themselves in a similar position find it useful in showcasing one possible path.